In celebration of the 400th anniversary of the birth of the Dutch master Rembrandt van Rijn (1606-1669), UAMA is pleased to highlight the artist's etchings in the Museum's permanent collections.

The first Rembrandt print to enter the UAMA collections was Christ Seated Disputing with the Doctors, given to the museum by C. Leonard Pfeiffer in 1946. The most recent addition is Abraham's Sacrifice, purchased in 2005 with funds from the Edward J. Gallagher, Jr. Memorial Fund.

The etchings in the UAMA collections demonstrate the range of the artist's style and technique--from the sketch-like, almost purely linear construction of Christ Seated Disputing with the Doctors, to the intense tonality and use of chiaroscuro in Descent from the Cross by Torchlight.

Untrained as a printmaker, Rembrandt treated the etching needle like a paintbrush, thereby expanding the expressive and aesthetic possibilities of the medium.

Thus, on seeing Rembrandt's prints, the Italian painter Guercino wrote in 1660: "I frankly consider him to be a great virtuoso."

click on the Rembrandt image to enter the exhibit